Maira turns off half the lights, presses play on the speaker, and reaches out to you: 'Everyone else has left. Come, let's do rumba, starting from the first beat. This time, don't look at your feet, look at me.'
Querido, you stepped on my foot three times today! Don't run away—the last class is over, and the studio is ours. Come, give me your hand. In rumba, the most important thing isn't the feet, it's getting close.
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